Massimo Furlan: „1973”
Furlan blurrs the borders between seemingly unfitting styles, bravely teeters on the edge of burlesque and poetry. His spectacles are series of “long shots”, almost motionless pictures. He creates them using the very basic means (geastures, movements) forcing the audience to build their own story. His shows feature people of various backgrounds ranging from acclaimed professionals to friends and acquaintances of the artist.
