Scary Monsters and Super Creeps: Tim Exile

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photo: Tim Exile

Tim Exile will perform on the second day of the concert series curated by Artur Rojek, Myslovitz frontman and director of the OFF Festival in Katowice. This evening will be devoted to electronica and its offshoots.
“His concerts are impressive performances. Although he is a classically trained cellist, prepared electronics are the dominating element in his music. His performances feature insane sets, and he often dresses up in costumes himself. He keeps the audience close, inviting people up on stage, coming down into the audience, and wading deep into the crowd. The results are always interesting.
He’s already performed in Poland. He enjoys a faithful following and I think he’ll be the most recognizable act of the second day of the festival.” (Artur Rojek)

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TAGS: Tim Exile, Artur Rojek, Scary Monsters and Super Creeps

  1. dj John Paul 20002011-06-16 18:31:38

    Tim Exile bedzię reklamował produkty Native Instruments na Europejskim Kongresie Kultury. Prawdopodobnie dla tego, ze jest "klasycznie wykształconym wiolonczelistą", ale to już zupełnie inna historia. Nie chciałbym kwestionować geniuszu samego artysty, ale film powyżej to materiał promocyjny firmy Native Instruments nagrany w studio. Wszystko możnaby było sprowadzić do marketingu, partycypująca Era Nowe Horyzonty tez jest brandem ale w kontekście tej strony ordynarna reklama NI wydaje się nieco razić.

  2. jSzeQsXJISzSxqnRkyC2011-10-09 20:14:41

    I'm imperssed by your writing. Are you a professional or just very knowledgeable?

  3. 2012-03-04 17:04:33

  4. poicvkQWUvMsDt2012-03-04 17:04:31

    MP escrigue9:La idea d'Espanya que ara pvrael, e9s la mateixa idea pvraelent de fa bastants anys i e9s demostradament consolidada. Aquest senyor, per cert, e9s corresponsable d'aquesta idea consolidada d'Espanya. Si es pensa que som idiotes, doncs e9s el seu problema. Que les coses evolucionen, e9s cert, perf2 de CiU no espereu me9s que gesticulacif3 mentre el seu grup parlamentari i/o partit siguin estables. Respecte a Artur Mas, (avued) penso que te9 nfameros per e9sser el president me9s mediocre de la histf2ria de la Generalitat de Catalunya. Un home que demana permeds per endeutar-se al responsable del deute, conseqfce8ncia de robatori. Aquell dia tenia les portes obertes per iniciar un proce9s aute8ntic d'independe8ncia, fotudament internacionalitzat, d'una forma simple i molt me9s elegant i d'ale7ada d'allf2 que va fer. Mise8ria & CO. Moltes salutacions Enric!

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  6. uufqSuvNPGUFKXeHq2012-03-04 13:14:59

    Gijs,Exactly, that is also what this post and also this one is about: But, Artur never wanted to be the ionevtnr. It was hey this is my solution is it correct? Hey, Ulrich did I solve your riddle? Yes, or no? And isn t the process you described simply a question of Artur getting inspired by a photograph? We never claimed Artur invented and we were always clear that Ulrich was first. Also by having it for sale Ulrich was the one that could profit from the sales of the triangle. As for the ethics of posting the file. Thats an interesting point. Would it have been better if he would have 3D printed it and shown the solution? In what cases would it be OK to show and/or make the file? Would it have been OK to make the file but then link to the original? I m not sure if there was or wasn t a link though since the page is not there anymore because of the DMCA. And is there but one possible solution? I mean its topology? I m glad you like the .MGX collection. But, isn t that more unique than this? Or do you see the cases as identical? We also want to protect our creations and care a lot about our inventions and IP, I think as a company we have more to lose in this space than almost anyone else. So we are very interested in the protection aspect. And I m pretty sure that if you would have copied the .MGX collection we would have undertaken legal steps against you. I just hope we would have been civil about it. So where is the line between original, inspired by, copy and derivative? When would you for your own work consider a derived work a copy? When would you sue? The DMCA take down was a bad PR move by a person lashing out. It proves that the current IP system is inadequate to protect ionevtnrs. Because here we are and we still don t know who invented what. And I am cognizant that we need a functioning IP system to let ionevtnrs and designers make money in the 3D printed world. In fact, if someone asked me, Joris, you can make one wish to make 3D printing go forward, what is that wish. Then my answer would be, an IP system that balances the needs of creators to get credit and profit from their inventions with the public''s need to spread innovation. The machines, the materials, the 3D design tools, scanning it will all solve itself whereas this IP question as well as the liability question will not. So I want to remain calm about this and want to say to myself, Joris this is more your fault than anyone else''s because you blogged about it first. Just see it as an academic discussion. This will be good in the long run. But, the one thing that does annoy me about this is, why not just send an email? Why not pick up the phone? I want to think about this clearly but I was very angry with the DMCA take down because of this aspect. I m not a hard person to reach. Especially lately, its not like I m hiding in a cave somewhere. By using the DMCA take down in first instance what they ve done is harmed the position and rights of designers everywhere. And that sucks. We should actively all assert our rights, we should all try balance sharing with giving someone their due. But, lets please be civil about it. A DMCA should be a thing of last resort. I m going to sound like your second grade teacher again, but why can t we all just get along. Lets focus on making this 3D printing thing happen for all of us.

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    Autant de qualite9s qui ont mipres e0 Winshluss de de9crocher le Fauve d'or au tre8s prestigieux Festival de la bande dessine9e d'Angouleame en 2009. Et qui me9ritaient que cet album sorte en polonais. Voile0 qui est chose faite ! avec le soutien du Service de Coope9ration et d'Action Culturelle de l'Ambassade de France en Pologne dans le cadre de son Programme d'aide e0 la publication Boy-Zelenski.

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